《安.獨.感》是一個闡述在疫情期間的種種不安、孤獨、焦慮感的實驗舞蹈錄像，結合了電影攝影、鐳射燈光、電子音樂和現代舞蹈等多個藝術領域的創作。透過跨域媒合的集體創作，直指人類在疫情期間的內心狀態，以及對生命態度的兩種選擇間的拉扯與矛盾。這個錄像裝置包含三個銀幕，以體現三個主題、三種敘事脈絡。三個銀幕都各自代表一個的字，以中英雙語呈現。 形式上，本計劃的編舞兼首席舞者林宇禾（阿幫）集合代表“安”的角色（鶴千）以及代表“感”的角色（逸軍），透過兩種選擇產生的兩種生命狀態，在左右兩邊的銀幕中呈現，而故事從中央的銀幕開始，一如我們在生活中常常遇到的兩難、周旋，在大難來臨之時，拆分成兩個平行宇宙，最後再回歸到中間的銀幕，面對自我，面對自己的心魔（爆米花），所有角色都會以不同方式在三個銀幕間穿梭，模擬人在猶豫不決之時的那種搖擺不定，以及無處不在的內心惡魔；意義上，這個作品是一個超越國際、超越文化的實體，聚焦人類在大難之時的兩種最本能的情緒，透過燈光、音樂、舞蹈等藝術形式，搭配具有電影感的敘事脈絡，讓全球經歷過疫情的觀眾都能理解和感受，並產生共鳴。

A video installation expressing the isolation felt during the pandemic by means of cinematography, laser art, music & modern dance. This installation will have a running time of 30 minutes and will be presented in a large dark space, indoor or outdoor, on three large square 2x2 meters screens and an immersive sound and light system. The audience will sit on cushions on the floor and the screens will be in front of them, separated by a distance of 2 meters from each other, angled towards the audience, with the two outer screens on the left and right making a slight curve towards the center. From left to right the first screen is a tale of the word “Safe” and represents people's desire to see protection and shelter from danger. It is the “Stay home, Stay safe” we have been hearing repeatedly during lockdowns these years. On this screen, our main character, who is a constant on all three screens, and is performed by our choreographer and lead dancer Yu He Lin, will be seen being led by a boy she just met to seek shelter in the deserted city. They do everything they can to stay protected, masks, goggles, full hammock suites. Finally, however, the boy falls ill and is taken by a demon who puts him on a huge ventilation machine. The demon, performed by drag performer Popcorn, represents fear and anxiety, as the entire performance is clearly some sort of frightful dream, and not a depiction of reality. The boy dies and our main heroine fights and defeats the demon, only to be left sorrowful at the boy's demise. The center screen depicts the term “self”. Here our heroine is alone, lost in a dark fog. She soon, however, feels there is a threat hiding in the fog, watching her. It is the demon. He approaches her from behind and paralyzes her in fear. He then starts to apply white clay onto her face and whole body until she looks just like him. She seems assimilated, defeated. But then she unexpectedly opens her eyes and finds herself on a stage in an old ruin of an abandoned movie theatre. The screen is torn down, the projectors in the projection booth, rusty and broken. Then she sees the demon sitting in one of the rotten chairs. He is the only audience member. She performs a dance. The demon dies in his chair. The screen on the right is about the “sense”. This represents our urge to break free when we feel trapped and live life to the fullest again, away from restrictions and rules. Here our heroine follows a man who flees into the wilderness of nature. Together they are free and wild. They love each other passionately and unrestrained. Then they find an old ruin. The seems like nature has taken back the earth from society and our cities have perished. Within the ruin, they too encounter a demon. One night the demon attacks and kills the man. Our heroine avenges him by strangling the demon only to be left sorrowful at the man’s demise.